Am descoperit ca exista un numar de chestii care atrag femeile tot astfel cum zgari-zgari atrage pisicile. Una are de-a face cu lama de ras; alta, cu exercitiile fizice
Cum incepusem sa spun in partea I, imi fac un pachet de exercitii fizice in fiecare dimineata. Si respiratia mea devine sonora, in special la flotari. Capul ei apare de obicei zambind la cateva secunde dupa primele mele expirari sacadate, urmat la scurt timp de corp. E fericita, sclipeste chiar, si-i simt prezenta, chiar daca privesc in jos in timp ce flotez (sic). Daca ridic capul spre ea, va fugi imediat. O pisica intr-o valiza ilustreaza destul de bine situatia.
Situatia de mai sus, asa cum e descrisa, imi aminteste de Pabadam-ul lui Yonderboi, desi s-a-ntamplat pe Heart's Lonely Hunter a lu' Thievery (de-aia am si adaugat clipurile in playlist - vezi mai multe despre el la sfarsit).
In clipa in care un astfel de cap s-a itit in camera, este imposibil sa continui. Daca n-o bagi in seama si incerci sa-ti termini programul, te trezesti cu ea culcata deasupra ta. Asta n-ar fi rau, ai face flotari ca Fat-Frumos, intr-un minut cat altii-n zece, dar ea n-o sa stea locului. Incepe sa se framante in spinarea ta. Daca te prinde facand abs, incepe sa te traga de degetele de la pishere, etc.
Asa ca tre' sa lasi totul balta. Ce urmeaza difera de la caz la caz. In cazul SlovFairy au fost mai multe, dar daca se-ntampla sa fie acest cantec, incepeam invariabil sa dansam. Imi placea mult sa dansez cu ea. Picioarele ei lungi, superbe, aproape pana-n gat, incepeau sa se miste parca independent de vointa ei, sau a mea, sau a oricui altcuiva. Poate ca se misca asa bine si fara efort pentru ca nu avea sani, avea numai picioare. Dansand cu ea si privind-o, nu-ncercai senzatia de Pinocchio pe care o ai uitandu-te la o femeie frumoasa si slaba prin malnutritie, pentru ca SlovFairy avea grija de corpul ei si asta se vedea. Era o senzatie de imponderabilitate solara, fara griji. Exact ce aveam nevoie sa simt - raza de soare, reflectata de-un ciob binevoitor si zambaret prin neantul procesului meu kafkaesque, de care sa ma prind ca de-o liana si sa ma catzar catre lumina.
Fiecare femeie are slabiciunile ei auditive. Pentru unele, anumite sunete vocale au efect de catnip (planta aia care innebuneste pisicile). Pentru altele, zgomotul lamei de ras plimbat lent si o singura data pe obrazul infofolit in spuma este irezistibil. Dar gafaiala unui barbat nu e in mod necesar un afrodiziac. Desi toate prietenele mele, cel putin pan-acum, au reactionat pozitiv la asa ceva, chit ca nu asta urmaream, sunt convins ca unele fomei pot avea reactia inversa. Mama mea vitrega, de pilda, nu suporta s-auda, si-acum cativa ani, cand inca stateam in aceeasi casa, am gasit dita'i rahatul de caine pe covorul mare si pufos din sufragerie unde obisnuiam eu sa ma desfasor fizic. Si-a ramas acolo cateva zile, in incercarea ei de a ma determina sa renunt. Dar -cine stie?- poate ca si ea era excitata, si cum nu se putea manifesta ca o amanta, se manifesta in modul pe care-l stia cel mai bine: scatologic.
Cu SlovFairy am mai avut si-alte momente solare, multe la Tobermory, dar norul despartirii a fost tot timpul deasupra noastra.
Eu simteam ca in starea mea de-atunci nu pot lua decizii de viitor si nu pot avea o relatie serioasa cu nimeni. Situatia asta a mea nu prea avea nimic de-a face cu ea, asta era conjuctura. Puteam si inca pot pierde tot ce am de la o zi la alta, si-aici nu ma refer la chestiile materiale, ci in special la anumite idealuri care ne tin legati de lumea in care traim. Idealuri care ne dau "balast psihic", cum ar fi ideea ca legile sunt aceleasi pentru toata lumea si ca nu poti ucide un om fara sa dai cumva socoteala pentru asta, in special un om care-a incercat sa te ajute si care nu ti-a facut nimic rau. Ca SlovFairy s-a mutat cu mine practic fara s-o fi invitat, n-a ajutat. Ca nu puteam discuta despre nici un subiect mai serios, fiindca-ncepea sa planga pe motiv ca "m-am schimbat la fata si la voce" iarasi n-a ajutat. Si ca eu eram de vina pentru asta, fiindca numai din cauza refuzului meu de a purta caciulita a trebuit ea sa treaca pe co-pilule, dandu-si hormonii peste cap si devenind hiper-sensibila la toti si toate, a fost paiul care-a rupt spinarea camilei.
Yonderboi- Pabadam, a classic electro song. László Fogarasi Jr. aka Yonderboi (born 1980 in Hungary) is a Hungarian composer. He experimented with music on his computer during high school. After his 16th birthday he sent a demo to "Juice Records". It was quickly followed by an EP called "Cinnamon Kisses". Later his single Pink Solidism was released on the Future sound of Budapest vol. 2 compilation. At the age of 18 he moved from his remote village Mernye to Budapest. After that he made his debut album Shallow and Profound, which brought him international recognition. In 2005 his second LP Splendid Isolation followed the line. His name is based on Yonderboy, a character in Neuromancer. A Junkie XL remix of his latest single, People Always Talk About the Weather is featured on the soundtrack of the racing game, Need For Speed: Carbon, while Soulbitch from the second album was featured in the FOX series Drive. His song "Were You Thinking Of Me?" was used in the game FIFA 08. Song "Follow Me Home" was used in the game Test Drive Unlimited. Song "Motor" was used in the game Tiger Woods PGA Tour 08. ---------------------------------- Shallow and Profound /2000/Mole Shallow And Profound entitles nineteen year old newly discovered Hungarian talent Yonderboi his debut album on Mole Listening Pearls. This album features an emotional and melodic, also saucy mixture of Downtempo, Trip-Hop, Lounge and 60ties Bar-Jazz. With Shallow And Profound Yonderboi presents an album with an exceptional tightness although it was recorded using simple methods and tools, and he also impresses the audience with his mature musical understanding. Yonderboi's manyfold influences vary from oldschool French Hip-Hop and nineties Trip-Hop to soundtracks of eastern European cartoons and cinema noir of the sixties. Yonderboi´s music transports his charming Eastern European identity with a special Hungarian flair. After graduation from high school, Yonderboi arrived in Budapest in the summer of 1999 with his friend, keyboarder Balazs Zsager. While still in the process of looking for a flat, they recorded the 'Shallow and Profound' album in an empty room of their record company's office building. The album featured full instrumentation, with original equipment including a 'Vermona' organ from the former East Germany. They only had to spend a few evenings inthe studio to lay down the vocal tracks and acoustic instrument layers, using vibraphone, accordion, sax and guitar. Mixing was done at home on a borrowed, home-made monitor desk. Yonderboi also managed to simultaneously use the time to work with keyboarder Balazs Zsager on the grooves and instrumentation for the solo record 'Bombajo' -Fantastic (Crossroads Records) by the young popular actor Ivan Kamaras. This became one of the hits of the Christmas '99 season in Hungary. Yonderboi's debut album, 'Shallow and Profound' promises to be the start of a glittering career. He still manages to remain modest and relaxed about the initial wildly-enthusiastic reactions from the test audience. He doesn't wish to take part in the material scuffles of the electronic music business, nor does he follow the electronic music fanaticism for trying to stay 'one day ahead.' Rather he chooses to stay with the simple melodic music, rooted in emotions, whose strong visual links show a unique and characteristic eastern European identity.
-va (mai) urma-
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